It’s a slightly strange title, but I love works like this.
Generally, in the world of modern pottery, such works are often not for sale. This is because there are many traces of fighting in the kiln. This is because it is judged to be damaged.
It is very interesting because it has a very rich expression such as swelling, peeling, and sticking.
I put the Kyoto sweets brought by the customer in a bowl and took a picture.
Totemo Oishii !! : )
This work inspired me to pay attention to him.
Bizen Hachi | Takashi SOGA
